The School

The School Awarded a White Raven of the best international Young Adult novels 2014

Critical acclaim:

 

The School. Jesper Wung-Sung has written a grim, frightening, raw and strong young adult novel, which questions the value of a human life – or rather: a society’s estimation of the value of a human life. Jesper Wung-Sung has previously taken on big ethical questions in his fiction: Similar to Ægte brøker (True Fractions) (2009), Kopierne (The Copies) (2010) and Den sidste Henrettelse (The Last Execution), there are large ethical and moral questions at stake in ‘The School’, which is told like a scenario of the future – a not too distant future.

 

The headmaster has just given everyone leave to go home, when three men in black arrive at the school and announce that no one – absolutely no one – is to leave the school premises. In the next instant, a fence several metres high is erected all around the school.

Nobody knows why – not even the school headmaster – who naturally performs the duties of his office and duly does what is expected. He ensures that the containers of food, medicine and body bags that are dropped down onto the sports ground are unpacked, and it soon becomes clear why no one may leave: a contagious illness quickly spreads throughout the school. The illness affects the teachers first. The teachers and pupils die proportionately: two as to one.And soon the sports ground is converted into a graveyard.

 

A mechanical bird, a drone, hovers over the school. Many try to escape, but cannot, because they are literally shot down by the drone.

In the course of time, the pupils split into camps, and a battle between the groupings ensue, similar to the scenario in other ‘desert island’ fiction; but the novel raises one overriding question: will society – in the real world – sacrifice one school, its pupils and their teachers, if this sacrifice could save the rest of the nation?

 

Benjamin, the headmaster’s son, is the novel’s protagonist, yet also the Danish teacher, Emilie, is an important adult figure who exhibits remarkable integrity. Also other pupils play important roles.

Jesper Wung-Sung again writes with great mastery and power, raising a large, significant question mark – but not providing an answer. He simply constructs the ‘set-up’ – this is really well done indeed. Something very important is at stake here. ...”

 

Bent Rasmussen, ‘Skolebiblioteket’

 

You can read a sample of The School right here!

 

The School is out in Holland as "Uitbraak", trans. Maike La Haise, Clavis, Amsterdam, 2015

 

 

 

 

 

 

"The School" is out in Germany as Opfer, trans. Friederike Buchinger, Carl Hanser Verlag, 2016, Munich.

 

The german preview HERE.

 

 

The german press:

„Dieser verstörende Roman stellt auch die Frage nach der Gleichgültigkeit in unserer eigenen Gesellschaft.“ Andrea Lüthi, Neue Zürcher Zeitung, 06.05.16

 

„Dass die Lektüre lohnen ist, liegt an der äußerst dichten Erzählweise Wung-Sungs. Auf wenigen Seiten gelingt es ihm, nicht nur die Dynamik einer Gruppe im Ausnahmezustand zu beschreiben, sondern auch den persönlichen Nöten einzelner Charaktere Platz einzuräumen.“ Magdalena Hamm, Die Zeit, 06.05.16

 

"Wie durch ein Brennglas zeigt Jesper Wung-Sung, dessen Jugendromane als die meistgelesenen in dänischen Schulen gelten, in 'Opfer – Lasst uns hier raus!' ein Katastrophenszenario wie ein Kammerspiel. ... Ein starkes Buch." Karin Gruß, eselsohr, 01.03.16

"Opfer" is Award Winner of Stiftung Buchkunst Best Book Design 2016

 

Details available in English HERE, and you can read the Jury motivation for the Award right HERE.

 

 

Die Leipziger Jugend-Literatur-Jury 2017 (Leiziger Youth-Literatur-Jury)

 

 

 

 

"Unmöglich, die Gänsehaut ab- und das Buch wegzulegen." Alma

 

"Sind wir denn nun Opfer oder Täter? Schuldig oder Unschuldig? Gibt es diese Kategorien überhaupt? Nach der Lektüre von "Opfer" lassen sich solche Fragen nicht mehr so einfach beantworten." Lina

 

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